Bio3
Born in São Paulo, Celia Eid is a graduate from the School of Communication and Arts of the University of São Paulo. Between 1978 and 1984 she lives in France and Germany, where she participates in several expositions. In 1984, she returns to her motherland and becomes an illustrator and a graphic designer. She works with the mainstream newspaper O Estado de São Paulo and with several publishers: Scipione, Unesp, Edusp . In 1993, she is rewarded with the Prix Jabuti for the years’ best book cover and the best graphic project. In 1994 she publishes her first comic book: Penare.
After two years contract at Casa Blanca production company, she turns her work to digital arts and to animated motion pictures. She attends two formations in the United States, one in Aurora Systems in Santa Clara and the other at the Visual Computing Institute in Houston.
In 1997 she moves to France, where her carrier takes a new dimension, working mostly on short songs of contemporary music.
In 2005, she is rewarded with the Fluxus On-line Festival jury price for the best interactive motion picture with her movie: Se taire, si ça vous chante: http://www.celiaeid.com/animations-interactives/
In 2019, she is rewarded the price of the best Non-Narrative animation at the Aggregate Animated Shorts festival – Okland/San Francisco (USA)
She also paints and draws and stone lithographic.
Aside her personal projects, she realized animated motion workshops for children in partnership with institutions such as Le Forum des Images and Le Cube, supported by the French Ministry of Education. She also created stage decoration for Cie Picomètre dance performance. And she was one of the collaborators for the literature magazine Passage d’Encres. She was also the magazine’s special guest for its 30th edition.
Videos:
2019 – Punto Agitato – music: Pierre – Stéphane Meugé
2015 – ERASE – music: Sébastien Béranger
2013 – Interstial Traces – music: Robert Coburn
2011 – Dislocations – music: Sébastien Béranger
2008 – Gymel – music: Sébastien Béranger
2007 – Le rire du Coq – music: Dominique Clement
2005 – Ce n’est pas facile – music: Horácio Vaggione and Henri Fourès
1998 – 2003 – Arrêts Fréquents – music: various composers
Festivals:
2019
Animattikon Project (Off Screen) – 26 au 1 october – Paphos (Cyprus)
Experimental Superstars – 7 Septembre 2019 – Novi Sad (Serbia)
Caire Video Festival – Septembre 2019 – Caire (Egypt)
Esto Es Para Eso – 16 Août 2019 – Monterrey (Mexique)
Aggregate Animated Shorts 2019 – 2 au 31 Août 2019 – San Francisco (USA)
Festival Experimental de Bogotá – 13 au 23 Août – Bogotá (Colombie)
2017
Muestra Internacional de Música Electroacústica -Universidad Autónoma Metropolitana Unidad Xochimilco Vicente Guerrero’s Hall, Mexico (Mexique)
eviMus 2017 – 4. Saarbrücker Tage für elektroakustische und visuelle Musik
2016
Festival International du Court Métrage d’Aix et du Pays d’Aix – compétition experimentale – Aix en Provence (France)
Punto y Raya festival – ZKM – Karslruhe (Germany)
Animatou – Centre d’Art Contemporain – Genève (Switzerland)
Bideodromo Festival – Institut Français – Bilbao (Spain)
Façade Vidéo Festival– Center for Contemporary Art – Plovdiv (Bulgaria)
Elecktramusic – Musée d’Art Moderne de Strasbourg – Strasbourg (France)
MFL Mostra do Filme Livre – Rio de Janeiro / São Paulo / Brasilia / Belo Horizonte (Brazil)
Roma Media Art Festival – Rome (Italy)
L’Oeil d’Oodaaq – Rennes (France)
Athens Digital Arts Festival – Athens (Greece)
Tricky Women International Animation Film Festival – Vienna (Austria)
De Nieuwste Elektroakoestische Muziek – Logos Fondation
2015
File.org Festival – São Paulo (Brazil)
2014
L’oeil d’Oodaaq – Rennes -(France)
Traverse Vidéo – Toulouse (France)
2013
SoundImageSoundIX – Stockton (California – USA)
Museu do Quai Branly – Paris (France)
Videoholica – Varna (Bulgaria)
Biodromo – Bilbao (Spain)
Art Science Innovation – Tenerife (Spain)
Simultan – Timisoara (Romania)
2012
L’œil d’Oodaaq – Rennes (France)
Vidéoformes – Clermont Ferrand (France)
2011
Festival International de Creatividad, Innovación y Cultura Digital – Tenerife (Spain)
Anemic Festival – Prague (Czech Republic)
Biodromo – Bilbao (Spain)
Videholica –Varna (Bulgaria)
SoundImageSound VIII – Stockton (Californie – USA)
2010
File.org Festival – São Paulo (Brazil)
Festival des Miroirs Amovibles – Thaon-les-Voges (France)
2009
All Art Now – Damasco (Syria)
Vidéoformes – Clermont Ferrand (França)
2008
Sound ImageSound V – Stockton (Californie – USA)
Festival Champs Libres – Strasbourg (France)
Expo Brighton – Brighton (England)
File.org Festival – São Paulo (Brazil)
Videoholica – Varna (Bulgaria)
2007
Sound Eletric 07 – Dundalk (Ireland)
Instanbul International Animation Festival – Instanbul (Turkey)
Kinofest – Bucarest (Romania)
Emirates Film Festival – Abu Dhabi (United Arab Emirates)
2006
File.org Festival – São Paulo (Brazil)
Fluxus Festival – Belo Horizonte (Brazil)
FMX 06 – Stuttgart (Germany)
2005
Time of Music – Various cities (Finland)
File.org Festival – São Paulo (Brazil)
2003
Time of Music – Various cities (Finland)
FIFI Festival – Internet (France)
Videos/Music/Performer:
– Improvisations – music: Sébastien Béranger – images: Celia Eid – Festival L’œil d’Oodaaq – Rennes (France)- 2019
– Duo Eid&Béranger – Rétrospective – Elektramusic Concert- Strasbourg Museum of Modern and Contemporary Art (France)- 2018
– Dislocations– duo Eid&Béranger – piano: Nina Maghsoodloo – Elektramusic Concert- Strasbourg Museum of Modern and Contemporary Art (France)- 2017
– Rétrospective – duo Eid&Béranger– Ambassade du Brésil – Paris (France)
– Bienvenue 2030 – Improvisation – Eid&Béranger
– ERASE – Eid&Béranger – Concert Motus – Paris (France)
– ERASE_Performer – DrawInternational – Caylus (France) – 2015
– Dislocations – piano: Bruno Belthoise – Auditorium de la Médiathèque Antonin Artaud – Ivry sur Seine (France)- 2015
– Interstitial Traces – Eid&Coburn – Saxophone Alto: David Henderson / Saxophone Barytone : Kevin Baldwin -SoundImageSound IX – Stockton (USA)- 2015
– Dislocations – Eid&Béranger – Piano: Xenia Pestova – Strasbourg Museum of Modern and Contemporary Art (France)- 2015
– Dislocations – Eid&Béranger – Piano: Amilcar Zani-SoundImageSound VIII – Stockton (USA) – 2011
– Dislocations – Eid&Béranger – Piano: Amilcar Zani- Gallery Espaço São Paulo – São Paulo (Brazil) – 2011
– Dislocations – Eid&Béranger – Piano: Amilcar Zani- Festival File.org – Theater Ruth Cardoso – São Paulo (Brazil)
Book:
Penare – comics trips design – Escuta – São Paulo (Brazil) – 1994
Awards:
Best Non-Narative Animation Aggregate Animated Shorts 2019 – Okland/San Francisco (USA)
Festival Fluxus – Internet Interactive animation – Belo Horizonte (Brazil)- 2005
Prêmio Jabuti – Graphic design and book cover – Câmara Brasileira do Livro – São Paulo (Brazil)- 1994
Media:
https://www.youtube.com/watch?v=1fiROaLY2bs
https://www.elektramusic.fr/videos-medias/concert-sur-alsace-20/
Duis autem vel eum iriure dolor in hendrerit in vulput ate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit augue duis dolore te feugait nulla facilisi. Nam liber tempor cum soluta nobis eleifend option congue. Typi non habent claritatem insitam; est usus legentis in iis qui facit eorum claritatem. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus.
Duis autem vel eum iriure dolor in hendrerit in vulput ate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit augue duis dolore te feugait nulla facilisi. Nam liber tempor cum soluta nobis eleifend option congue. Typi non habent claritatem insitam; est usus legentis in iis qui facit eorum claritatem. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus.
Born in São Paulo, Celia Eid is a graduate from the School of Communication and Arts of the University of São Paulo. Between 1978 and 1984 she lives in France and Germany, where she participates in several expositions. In 1984, she returns to her motherland and becomes an illustrator and a graphic designer. She works with the mainstream newspaper O Estado de São Paulo and with several publishers: Scipione, Unesp, Edusp . In 1993, she is rewarded with the Prix Jabuti for the years’ best book cover and the best graphic project. In 1994 she publishes her first comic book: Penare.
After two years contract at Casa Blanca production company, she turns her work to digital arts and to animated motion pictures. She attends two formations in the United States, one in Aurora Systems in Santa Clara and the other at the Visual Computing Institute in Houston.
In 1997 she moves to France, where her carrier takes a new dimension, working mostly on short songs of contemporary music.
In 2005, she is rewarded with the Fluxus On-line Festival jury price for the best interactive motion picture with her movie: Se taire, si ça vous chante: http://www.celiaeid.com/animations-interactives/
In 2019, she is rewarded the price of the best Non-Narrative animation at the Aggregate Animated Shorts festival – Okland/San Francisco (USA)
She also paints and draws and stone lithographic.
Aside her personal projects, she realized animated motion workshops for children in partnership with institutions such as Le Forum des Images and Le Cube, supported by the French Ministry of Education. She also created stage decoration for Cie Picomètre dance performance. And she was one of the collaborators for the literature magazine Passage d’Encres. She was also the magazine’s special guest for its 30th edition.
Videos:
2019 – Punto Agitato – music: Pierre – Stéphane Meugé
2015 – ERASE – music: Sébastien Béranger
2013 – Interstial Traces – music: Robert Coburn
2011 – Dislocations – music: Sébastien Béranger
2008 – Gymel – music: Sébastien Béranger
2007 – Le rire du Coq – music: Dominique Clement
2005 – Ce n’est pas facile – music: Horácio Vaggione and Henri Fourès
1998 – 2003 – Arrêts Fréquents – music: various composers
Festivals:
2019
Animattikon Project (Off Screen) – 26 au 1 october – Paphos (Cyprus)
Experimental Superstars – 7 Septembre 2019 – Novi Sad (Serbia)
Caire Video Festival – Septembre 2019 – Caire (Egypt)
Esto Es Para Eso – 16 Août 2019 – Monterrey (Mexique)
Aggregate Animated Shorts 2019 – 2 au 31 Août 2019 – San Francisco (USA)
Festival Experimental de Bogotá – 13 au 23 Août – Bogotá (Colombie)
2017
Muestra Internacional de Música Electroacústica -Universidad Autónoma Metropolitana Unidad Xochimilco Vicente Guerrero’s Hall, Mexico (Mexique)
eviMus 2017 – 4. Saarbrücker Tage für elektroakustische und visuelle Musik
2016
Festival International du Court Métrage d’Aix et du Pays d’Aix – compétition experimentale – Aix en Provence (France)
Punto y Raya festival – ZKM – Karslruhe (Germany)
Animatou – Centre d’Art Contemporain – Genève (Switzerland)
Bideodromo Festival – Institut Français – Bilbao (Spain)
Façade Vidéo Festival– Center for Contemporary Art – Plovdiv (Bulgaria)
Elecktramusic – Musée d’Art Moderne de Strasbourg – Strasbourg (France)
MFL Mostra do Filme Livre – Rio de Janeiro / São Paulo / Brasilia / Belo Horizonte (Brazil)
Roma Media Art Festival – Rome (Italy)
L’Oeil d’Oodaaq – Rennes (France)
Athens Digital Arts Festival – Athens (Greece)
Tricky Women International Animation Film Festival – Vienna (Austria)
De Nieuwste Elektroakoestische Muziek – Logos Fondation
2015
File.org Festival – São Paulo (Brazil)
2014
L’oeil d’Oodaaq – Rennes -(France)
Traverse Vidéo – Toulouse (France)
2013
SoundImageSoundIX – Stockton (California – USA)
Museu do Quai Branly – Paris (France)
Videoholica – Varna (Bulgaria)
Biodromo – Bilbao (Spain)
Art Science Innovation – Tenerife (Spain)
Simultan – Timisoara (Romania)
2012
L’œil d’Oodaaq – Rennes (France)
Vidéoformes – Clermont Ferrand (France)
2011
Festival International de Creatividad, Innovación y Cultura Digital – Tenerife (Spain)
Anemic Festival – Prague (Czech Republic)
Biodromo – Bilbao (Spain)
Videholica –Varna (Bulgaria)
SoundImageSound VIII – Stockton (Californie – USA)
2010
File.org Festival – São Paulo (Brazil)
Festival des Miroirs Amovibles – Thaon-les-Voges (France)
2009
All Art Now – Damasco (Syria)
Vidéoformes – Clermont Ferrand (França)
2008
Sound ImageSound V – Stockton (Californie – USA)
Festival Champs Libres – Strasbourg (France)
Expo Brighton – Brighton (England)
File.org Festival – São Paulo (Brazil)
Videoholica – Varna (Bulgaria)
2007
Sound Eletric 07 – Dundalk (Ireland)
Instanbul International Animation Festival – Instanbul (Turkey)
Kinofest – Bucarest (Romania)
Emirates Film Festival – Abu Dhabi (United Arab Emirates)
2006
File.org Festival – São Paulo (Brazil)
Fluxus Festival – Belo Horizonte (Brazil)
FMX 06 – Stuttgart (Germany)
2005
Time of Music – Various cities (Finland)
File.org Festival – São Paulo (Brazil)
2003
Time of Music – Various cities (Finland)
FIFI Festival – Internet (France)
Videos/Music/Performer:
– Improvisations – music: Sébastien Béranger – images: Celia Eid – Festival L’œil d’Oodaaq – Rennes (France)- 2019
– Duo Eid&Béranger – Rétrospective – Elektramusic Concert- Strasbourg Museum of Modern and Contemporary Art (France)- 2018
– Dislocations– duo Eid&Béranger – piano: Nina Maghsoodloo – Elektramusic Concert- Strasbourg Museum of Modern and Contemporary Art (France)- 2017
– Rétrospective – duo Eid&Béranger– Ambassade du Brésil – Paris (France)
– Bienvenue 2030 – Improvisation – Eid&Béranger
– ERASE – Eid&Béranger – Concert Motus – Paris (France)
– ERASE_Performer – DrawInternational – Caylus (France) – 2015
– Dislocations – piano: Bruno Belthoise – Auditorium de la Médiathèque Antonin Artaud – Ivry sur Seine (France)- 2015
– Interstitial Traces – Eid&Coburn – Saxophone Alto: David Henderson / Saxophone Barytone : Kevin Baldwin -SoundImageSound IX – Stockton (USA)- 2015
– Dislocations – Eid&Béranger – Piano: Xenia Pestova – Strasbourg Museum of Modern and Contemporary Art (France)- 2015
– Dislocations – Eid&Béranger – Piano: Amilcar Zani-SoundImageSound VIII – Stockton (USA) – 2011
– Dislocations – Eid&Béranger – Piano: Amilcar Zani- Gallery Espaço São Paulo – São Paulo (Brazil) – 2011
– Dislocations – Eid&Béranger – Piano: Amilcar Zani- Festival File.org – Theater Ruth Cardoso – São Paulo (Brazil)
Book:
Penare – comics trips design – Escuta – São Paulo (Brazil) – 1994
Awards:
Best Non-Narative Animation Aggregate Animated Shorts 2019 – Okland/San Francisco (USA)
Festival Fluxus – Internet Interactive animation – Belo Horizonte (Brazil)- 2005
Prêmio Jabuti – Graphic design and book cover – Câmara Brasileira do Livro – São Paulo (Brazil)- 1994
Media:
https://www.youtube.com/watch?v=1fiROaLY2bs
https://www.elektramusic.fr/videos-medias/concert-sur-alsace-20/
Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit augue duis dolore te feugait nulla facilisi. Nam liber tempor cum soluta nobis eleifend option congue nihil imperdiet doming id quod mazim placerat facer possim assum. Typi non habent claritatem insitam; est usus legentis in iis qui facit eorum claritatem. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram, anteposuerit litterarum formas humanitatis per seacula quarta decima et quinta decima.
Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit augue duis dolore te feugait nulla facilisi. Nam liber tempor cum soluta nobis eleifend option congue nihil imperdiet doming id quod mazim placerat facer possim assum. Typi non habent claritatem insitam; est usus legentis in iis qui facit eorum claritatem. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram, anteposuerit litterarum formas humanitatis per seacula quarta decima et quinta decima.